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William Astore, Wars Don't Make Heroes

Consider a strange aspect of our wars since October 2001: they have yet to establish a bona fide American hero, a national household name.  Two were actually "nominated" early by the Bush administration -- Jessica Lynch, a 19-year-old private and clerk captured by the Iraqis in the early days of the American invasion and later "rescued" by Army Rangers and Navy Seals, and Pat Tillman, the former NFL safety who volunteered for service in the Army Rangers eight months after 9/11 and died under "enemy" gunfire in Afghanistan.

 

Both stories were later revealed to be put-up jobs, pure Bush-era propaganda and deceit.  In Lynch's case, almost every element in the instant patriotic myth about her rescue proved either phony or highly exaggerated; in Tillman's, it turned out that he had been killed by friendly fire, but -- thanks to a military cover-up (that involved General Stanley McChrystal, later to become Afghan war commander) -- was still given a Silver Star and a posthumous promotion.  Members of his unit were even ordered by the military to lie at his funeral, and he was made into a convenient "hero" and recruitment poster boy for the Afghan War. Both were shameful episodes, involving administration manipulation and media gullibility.  Since then, as TomDispatch regular and retired lieutenant colonel William Astore points out, U.S. troops as a whole have been labeled "our heroes," but individual heroes have been in vanishingly short supply.

In fact, the only specific figures who get the heroic treatment these days are our military commanders.  They tend to be written about like so many demi-gods (until they fall).  General McChrystal, before his ignominious nosedive, was presented in the press (with the Tillman incident all but forgotten) as a cross between a Spartan ascetic and a strategic genius (with the brain of a military Stephen Hawking).  Present war commander General David Petraeus regularly receives even more fawning media treatment and seems to be worshipped in Washington these days as if he were not only "an American hero," but a genuine military god (as well as a future presidential candidate).  Yet, in the way they've been treated, both of these figures seem closer to celebrities than heroes in any traditional sense.

Perhaps this catches something essential about America's unending wars in Afghanistan, Iraq, and also what used to be called the Global War on Terror but now has no name.  Like the drone pilots who sit at Creech Air Force Base in Nevada, killing peasants and terrorists 7,000 miles away and to whom new standards of "valor" are now being applied, most Americans are remarkably detached from the wars our "all volunteer" military force (and its vast contingent of for-profit mercenary warriors) fight in distant lands.  Our forces have become generically heroic, but no one cares to look too closely at the specifics of these bloody, dirty wars that will never end in victory, not close enough to end up with actual heroes.  Our "heroic" troops have no real names, any more than the wars they fight, and so individual heroics are perhaps beside the point.  (Check out the latest TomCast audio interview in which William Astore discusses heroism and the military by clicking here, or to download to your iPod, here.)  Tom 

"Our American Heroes"
Why It's Wrong to Equate Military Service with Heroism 

By William J. Astore

When I was a kid in the 1970s, I loved reading accounts of American heroism from World War II.  I remember being riveted by a book about the staunch Marine defenders of Wake Island and inspired by John F. Kennedy's exploits saving the sailors he commanded on PT-109.  Closer to home, I had an uncle -- like so many vets of that war, relatively silent on his own experiences -- who had been at Pearl Harbor when the Japanese attacked on December 7, 1941, and then fought them in a brutal campaign on Guadalcanal, where he earned a Bronze Star.  Such men seemed like heroes to me, so it came as something of a shock when, in 1980, I first heard Yoda's summary of war in The Empire Strikes Back.  Luke Skywalker, if you remember, tells the wizened Jedi master that he seeks "a great warrior." "Wars not make one great," Yoda replies.

Okay, it was George Lucas talking, I suppose, but I was struck by the truth of that statement.  Of course, my little epiphany didn't come just because of Yoda or Lucas.  By my late teens, even as I was gearing up for a career in the military, I had already begun to wonder about the common ethos that linked heroism to military service and war.  Certainly, military service (especially the life-and-death struggles of combat) provides an occasion for the exercise of heroism, but even then I instinctively knew that it didn't constitute heroism.

http://www.tomdispatch.com/archive/175276/

DEA Holds THC Minister in Custody After Appeal

by Bonnie King

13 church members were also arrested, but are out on bail.

Roger Christie, founder of the THC Ministry. Photo by thc-ministry.org

(HONOLULU / SALEM, Ore.) - Fourteen people on the Big Island of Hawaii were apprehended in a series of raids, including Roger Christie, founding director of The Hawaii Cannabis (THC) Ministry two weeks ago. He is still sitting in a cell.

61-year old Roger Cusick Christie was arrested when his apartment at Wainaku Terrace was raided at 6:25 a.m. on July 8th, in Hilo, Hawaii. The police booking log did not list charges at first, only that Christie was arrested by local police assisting "other" law enforcement agencies.

A neighbor who wanted to remain anonymous said he saw the agents that morning, "Some looked like DEA, and one of them had a tag on his jacket that said IRS."

"We assisted federal agents in the arrest, and that's about all I can say," said Capt. Randall Medeiros, commander of the Hawaiian police Criminal Investigation Division. He asked for further questions to be directed to the U.S. Attorney's Office, in Honolulu.

A man staying with Christie, 34-year-old Nathan Clark, told the Tribune-Herald that he was awakened around 6:30 a.m. and asked to leave the premises by the agents. "These arrests are a civil rights violation," Clark said.

"Cannabis is a sacrament in our religion... and this is a First Amendment issue."

The Hilo 14

We now know that a federal grand jury returned a secret indictment last month against the fourteen people, and that a federal judge unsealed the indictment on July 8th.

Roger Christie is being represented by federal public defender Matthew Winter. Roger and seven of the defendants initially remained behind bars; but according to the THC Ministry website, all thirteen have been released on personal recognizance bonds. All except Roger.

Roger was denied bail by the District Court and then again by an appeal to that ruling, despite a recommendation for a $50,000 bond by the federal Pre-Trial Services.

Others arrested are 58-year old Sherryanne L. St. Cyr (Christie's girlfriend), of Pahoa, 51-year old John D. Bouey III, of Keaau; 50-year old Perry Emilio Policicchio, of Hilo; 61-year old Michael B. Shapiro, of Keaau; 32-year old Jessica R. Walsh, of Hilo; 58-year old Richard Bruce Turpen, of Mountain View; 28-year old Victoria C. Fiore, of Hilo; 41-year old Aaron George Zeeman, of Hilo; 46-year old Suzanne Leonore Friend, of Honokaa; 58-year old Timothy M. Mann, of Honokaa; 40-year old Donald James Gibson, of Pahoa; Wesley Mark Sudbury; and Roland Gregory Ignacio.

Many of the same people had their homes, and the THC Ministry headquarters, raided on March 10th. No one was arrested at that time, and no charges were lodged, "belying prosecutors' assertions that he was a danger to the community," attorney Winter contended.

Federal Custody for a First Offense

According to Roger's friend and Ohio attorney, Don E. Wirtshafter, "Roger is a first time, non-violent drug offender. This is not about Roger being dangerous; this is a government tactic to shut Roger up. This week Roger's public defender filed a proper motion for the federal judge to overrule the magistrate's decision to deny bail."

That motion was denied.

http://salem-news.com/articles/july212010/roger-christie.php

The DEA is Out of Control: We Can Stop This!

 

President Obama's nomination of Michele Leonhart to be permanent head of the DEA is a trial balloon - a test of strength and resolve. The nomination of a ruthless prohibitionist is a test of whether he takes himself seriously when he says that the federal government is going to stop wasting time, money and people on medical marijuana raids in states where it is legal. It is, more significantly, a test of whether he takes the drug reform movement seriously. And the only way he will take us seriously is if we write now telling President Obama to replace Acting Administrator Michele Leonhart with someone who respects the rights of the ill and vulnerable. If you have received appeals from our allies in drug policy reform, please send those along as well as ours. Every email they receive counts. Obama's pandering to the prohibitionists is a trial balloon. We need to shoot it full of lead. Thank you, Neill Franklin Executive Director Law Enforcement Against Prohibition

The Governor Who Hates Her State

by Bryan Curtis

Arizona Gov. Jan Brewer paints her state as one big drug den, littered with corpses and gun-toting illegals. Bryan Curtis on her curious sales job—and the backlash from Linda Ronstadt and other locals.

In her quest to show why Arizona needs a tough immigration law, Gov. Jan Brewer has pulled off an awesome rhetorical feat. She has rebranded the entire state. Arizona is no longer the sun-drenched home of the Grand Canyon, golf courses, and retirees exulting in 100-degree lethargy. Arizona, in Brewer's telling, is a cross between a Cormac McCarthy novel and The Road Warrior.

"Has my 'dry heat!' desert finally seared one too many brain cells?" asks Rene Alegria. "Maybe so."

The controversial Arizona immigration law has sparked mass protests.

Taken together, Brewer's speeches, campaign commercials, and Fox News appearances offer a stern rebuke to anyone who thinks Arizona is a tranquil place. Arizona, Brewer told Fox News, is a "battlefield." It is the "drug corridor of the world," she said later. Phoenix—home to four pro sports teams and a well-regarded Trolley Museum—is "our nation's kidnapping capital," according to a Brewer campaign ad.

Brewer has been a relentless chronicler of Arizona's "porous" border with Mexico, which she said allows a daily "invasion" by undocumented immigrants. Who are the undocumented? The "majority" are "drug mules," she said, others are "human traffickers," and still others may carry "big, strong, dangerous guns, AK-47s."

What about the documented Arizonans—New West entrepreneurs, geezers, the Diamondbacks? "Beautiful people!" Brewer told Greta van Susteren. But also: "We have many, many people that feel they are not safe." And: "We need help." And: "We are just fed up." If Arizona's beautiful people sound slightly jittery, this may be because of what Brewer called the "terror which our citizens live in day in and day out along the border." Native Arizonans contacted by The Daily Beast were surprised the governor wasn't extolling tourist meccas like Tombstone Ranch and Sedona's yuppie playground. No, Brewer prefers to tout Arizona's "drop houses, kidnapping, auto accidents, extortion, drugs, the spillover with the drug cartels."

http://www.thedailybeast.com/blogs-and-stories/2010-07-19/razing-arizona/?cid=hp:mainpromo6

Retirement is for Losers

Protofascism Comes to America: The Rise of the Tea Party

 

 by Ted Rall

 

Is the Tea Party racist? Democrats who play liberals on TV say it isn't. Vice President Joe Biden says the Tea Party "is not a racist organization" per se, but allows that "at least elements that were involved in some of the Tea Party folks expressed racist views."

Right-wing Congresswoman Michele Bachmann has received permission to form an official Tea Party Caucus in the U.S. House of Representatives. It's official. The Tea Party matters.

So: is it racist? Certainly a sizeable minority of Tea Partiers' "take America back" rhetoric is motivated by thinly disguised resentment that a black guy is president. As for the remainder, their tacit tolerance of the intolerant speaks for itself. "Take America back" from whom? You know whom. It ain't white CEOs.

Yes. The Tea Party is racist. Obviously.

But racism is only one facet of a far more sinister political strain. It's more accurate to categorize the Tea Party as something the United States has never seen before, certainly not in such large numbers or as widespread.

The Tea Party is a protofascist movement.

Robert O. Paxton defined fascism as "a form of political behavior marked by obsessive preoccupation with community decline, humiliation or victimhood and by compensatory cults of unity, energy and purity, in which a mass-based party of committed nationalist militants, working in uneasy but effective collaboration with traditional elites, abandons democratic liberties and pursues with redemptive violence and without ethical or legal restraints goals of internal cleansing and external expansion."

Typical Tea Party rants fit the classic fascist mold in several respects. America, Tea Partiers complain, is falling behind. Like Hitler, they blame leftists and liberals for a "stab in the back," treason on the homefront. The trappings of hypernationalism--flags, bunting, etc.--are notably pervasive at Tea Party rallies, even by American standards. We see "collaboration with traditional elites"--Rush Limbaugh, Congressmen, Republican Party bigwigs (including the most recent vice presidential nominee)--to an extent that is unprecedented in recent history.

Tea Partiers haven't called for extralegal solutions to the problems they cite--but neither did the National Socialists prior to 1933. Then again, they're not in power yet. Wait.

http://smirkingchimp.com/thread/ted-rall/30250/protofascism-comes-to-america-the-rise-of-the-tea-party

 

George Carlin - Saving the planet

It's Alive!: The Top Film Criticism Sites: An Annotated Blog Roll, Part One

by Paul Brunick

There's one word that sums up the World Wide Web: huge. Faced with the Internet's exponentially expansive growth and sprawling heterogeneity, every other generalization comes up short. Though the all-too-familiar "death of film criticism" polemics prefer to frame the current era in terms of (degraded) quality, the truly epochal shift in digital-age criticism is a function of quantity: total media saturation and head-spinning content overload.
Mid-century cinephilia offered its transatlantic disciples something that, for the other fine arts, had reached its breaking point in the Modernist period: a canon that could be mastered in its entirety by an individual consciousness. If you subscribed to a dozen or so of the "right" periodicals and faithfully patronized the art-house premieres and repertory revivals of London, Paris, or New York (or, later, San Francisco and Los Angeles), you could quite literally see everything that was considered worth seeing and read all the critics thought to be worth reading. This culture, of course, was built on a kind of artificial scarcity: the back catalogues of film history were just starting to be excavated and archived, much of world cinema was off the Western radar, and most of the accomplished criticism published in student newspapers, mid-sized metropolitan dailies, and underground film journals went largely unnoticed. The last two decades have yielded so much to cinephilia—from digital archives and movie-review clearinghouses to TCM and Netflix—but the surfeit has taken at least one thing away: the illusion of all-encompassing critical authority. The spirit of encyclopedic completism embodied in, say, Andrew Sarris's The American Cinema seems more anachronistic by the day. There are just too many films to see and (more to the point) too many smart writers to compete with.
So where do we get off appointing ourselves the selection committee for the top film criticism sites? If that strikes you as a little presumptuous, you're totally right. Though not "meaningless," the selections below are meaningful only in a contingent, puzzle-piece sort of way. There are plenty of sites that could just as easily have made the cut: Arbogast on Film, Buzz Buzz, Chronicle of a Passion, Cinema Styles, Confessions of an Aca-Fan, The Crop Duster, DVD Savant, Elusive Lucidity, The Independent Eye, Movie Morlocks, New Deal Sally, Rightwing Film Geek, Shooting Down Pictures, Theo's Century of Movies, Zero for Conduct, plus a dozen others we could name off the top of our heads—and who knows how many more that we're not even aware of. But here's the thing: while we could have billed the selections as "43 Semi-Randomly Selected but Genuinely Distinguished Film Criticism Sites," that meme just doesn't trend as well (#awkward). To tantalizingly mislabel the headline above and then clarify the stakes here in the introduction seemed like the best compromise, in a lie-that-tells-the-truth sort of way.
The blog roll has become the defining trope of critical exchange in the early Internet era: its network of laterally enmeshed connections quite literally defines "the Web." But the long, scrolling lists of hyperlinked sites are easily overwhelming. Jumping into a random blog midstream is often disorienting. And if you're already the kind of person who actively seeks out intelligent film criticism, your reading queue is no doubt pretty full. But maybe you'd like to refine your short-list of go-to sites, match your favorite venues against a few others in a Darwinian death-match—because how else are your tastes going to expand and evolve?
Our goal here is to make that process as easy and efficient as possible. For every URL included, one of our crack contributors has come up with an elegantly pithy synopsis of the critical style and obsessively revisited subjects that define the spirit of the site. When you've found a couple of capsules that pique your interest, bookmark them at the top of your browser and click over when you have some downtime. Try to have patience if the writer's personality doesn't immediately hook you. Just as in real life, the person who at first strikes you as slightly boring may later become your best friend forever. So give it a week or two of casual browsing; peruse the backlog of posts by subject tags; linger in the comments sections. Every writer has his own rhythms, her own hidden wellsprings of ideas and emotions, and sometimes it takes some up-front effort to tune in to that. The more you put in, the more you get out.
The projects included here span a wide range of genres: digital film journals, multi-writer theme sites, side projects of film studies academics, digital outreach by professional print reviewers, and, above all, the personal blogs of unpaid enthusiasts. Our only criteria for inclusion were that (a) posts must be written primarily in the English language and (b) the content must be specifically produced for online consumption. The selections are unranked and in randomly generated order (our highly sophisticated algorithm is modeled loosely on the perennial schoolyard favorite MASH).
For years now, Internet film critics have been relentlessly dumped on by many (but by no means all) in the legacy media. Though they've gotten little in the way of social recognition or financial compensation, cinephile bloggers have filled in the gaps of mainstream review coverage, corralled hard-to-find source materials, enriched cinema's theoretical vocabularies and historical narratives, and shared their personal obsessions in often fascinating, hilarious, and deeply affecting ways. I feel personally privileged and just really fucking happy to shine a light on their work—all of them life-affirming examples of democratic participation and humanizing cultural exchange. —Paul Brunick

The Self-Styled Siren
selfstyledsiren.blogspot.com

Classical Hollywood fetishism has found a most enchanting ambassador. Farran Smith Nehme of The Self-Styled Siren turns the articulation of cliché and convention into a sport—no surprise she's chosen melodrama as her champion underdog and counts Max Ophüls and Douglas Sirk among her favorite directors. A witty, working mother of three (the blog originated during afternoon naptime), the Siren is a unique and refreshing voice in a field often prone to nostalgic vacuity or esoteric one-upmanship. An "Anecdote of the Week" feature showcases her extensive bibliographic endeavors. Her obituaries are the most dependably poetic on the scene. Whether dusting off forgotten gems and industry players or providing fresh analysis on the already canonical, the Siren speaks with the grit, gumption, and savvy of the pre-Code ladies she so admires. Her extensive research is a valuable corollary to the Hollywood Babylon school of salacious folklore; not that the blog is without juice (delicious bon mots care of her beloved George Sanders) or mysticism (a reverential moment of silence for Charles Boyer's "incomparable way with a hat"). The Siren abandoned anonymity upon co-programming a series for TCM, but lifting the veil, in true Merry Widow style, has only furthered the blossoming of her appeal: a recent blogathon hosted in association with the National Film Preservation Foundation has raised $13,500 and counting. Not only is the Siren the best film geek friend you ever had but an increasingly powerful force. —Brynn White

Strictly Film School
filmref.com

No one embodies cinephilia in the Internet age better than the pseudonymous Acquarello (aka Pascual Espiritu), a self-described "NASA flight systems design engineer" who single-handedly creates all the content for Strictly Film School. Unapologetically auteurist in design, Strictly Film School's biggest draw is its jaw-droppingly extensive Director's Database that boasts over 500 names, from canonical faves like Chantal Akerman and Pedro Almodóvar to the less known (but no less worthy) Joaquim Pedro de Andrade and Lisandro Alonso—and that's just scratching the surface of the As. The directory doesn't offer bios but instead concise capsules whose brevity is belied by their insights. While online platforms offer practically limitless writing space, Acquarello's economical and precise prose is something to treasure. And for those looking to venture beyond auteurism, Strictly Film School offers the option to browse reviews by genres (of the academic sort: "Neo-Expressionism," "Cinema Verité"), themes ("Generational Conflict," "Aging/Obsolescence/Death"), and images ("Chromatic Shifts—State of Consciousness, Existential Realm" being my personal favorite). "Film-Related Reading Notes" on recently browsed print matter and a "Film Fest Journal" tops off this exhaustively (and exhaustingly) comprehensive site. If only real film schools were as informative and passionate as Strictly Film School. —Cullen Gallagher

Diagonal Thoughts
diagonalthoughts.com

In the distant future—when we are nothing more than incorporeal abstractions coded into the algorithmic consciousness of a virtual singularity, or blue-skinned, loin-clothed power-forwards cybersexing flora and fauna with our FireWire pony tails, or whatever!—I sincerely hope that our post-organic nervous systems will occasionally light up to the archived index of Diagonal Thoughts. Media and culture aficionado Stoffel Debuysere, a member of Belgium's Courtisane collective and co-programmer of its film and video festival, maintains a dense and diligently curated collection of "notes on seeing and being, sound and image, media and memory." The site presents fresh, often mind-bending findings drawn from the worlds of neuroscience, philosophy, sociology, computer science, cultural studies, and (of course) the cinema. Collating quotations from innumerable sources, Debuysere is much more than a mere cut-and-paster—the rhetorical patchwork of interviews, articles, and program note snippets have a synthetic brilliance all their own, further gilded with Debuysere's original observations and erudite commentary. Alongside his interest in new media's ontological collision with human cognition and perceptual reality is a stalwart passion for old-school avant-garde celluloid (lovingly categorized as "Indeterminate Cinema"); recent "Artists in Focus" have included Guy Sherwin, David Gatten, and Morgan Fisher. Tracking the intersecting vectors of technological and aesthetic evolution, Diagonal Thoughts is nothing less than the cinephile's survival guide for the 21st century. —Jesse P. Finnegan

Not Coming to a Theater Near You
notcoming.com

Rumsey Taylor was reared in the hinterlands of rural Kentucky, nurtured by VHS rentals and late-night cable TV. It's fitting that he would go on to found Not Coming to a Theater Near You, an ambitious online resource for reevaluations of forgotten and fringe cinema. Taylor's prowess as an editor lies in an innate ability to skirt both irreverent fan-boy pitfalls and highfalutin postgrad navel-gazing; the writing remains doggedly non-academic while retaining a sharp populism and simple elegance often lacking in similar niche sites. Not Coming increased its profile in 2009 by partnering with the NYC revival venue at 92YTribeca, where editors and contributors present public screenings of rare and controversial classics. The site sets itself apart through its assemblage of talented contributors, many of whom are able up-and-comers in New York's criticism and repertory programming scenes. In addition to reviews, Not Coming offers independent festival coverage, interviews with significant figures in alternative cinema and criticism (filmmaker Frederick Wiseman, animator Don Hertzfeldt, and New Yorker film editor Richard Brody were all recent respondents), as well as comprehensive essays on intriguingly obscure subjects. A recent piece analyzed the rogue cinephilia of underground video mixtapes, most of which are of questionable legal status. It's rare to find such subjects spotlighted with so much eloquence, and it's with essays like this that the site really scores. —Benjamin Shapiro

http://www.slantmagazine.com/house/2010/07/its-alive-the-top-film-criticism-sites-an-annotated-blog-roll-part-one/

Is Flipboard Legal?

Social news app Flipboard was yesterday's hot new app, despite—or perhaps because of—technical problems that prevented some features from working. But there might be a bigger snag: Is Flipboard scraping content it doesn't have the rights to?

Flipboard, the new iPad app that renders links from your Twitter feed and favorite sites in a beautiful, magazine-style layout, has a problem: it scrapes websites directly rather than using public RSS feeds, opening it to claims of copyright infringement.

Unlike some similar news apps like Pulse, Flipboard appears to eschew the older syndication standby RSS to instead grab URLs from Twitter and Facebook feeds. While news sources that maintain their own automatic Twitter feeds tend to link the same stories as they do in their RSS feeds, there's one critical difference: RSS also allows content to be included in the feed, whereas Twitter provides only the URLs that link back to the full website. (Unless, of course, the site only writes 140 character news stories.)

Back in the ancient days of the mid-aughts, there was a healthy debate online about whether or not news outlets should provide full content feeds or simply headlines and excerpts. Rather than rehash that debate—one that's still ongoing—just remember this: whether a company chose to publish "full feeds" or excerpts, the choice remained theirs.

A new class of "feed readers" have ditched RSS and built their own content scrapers. The ever-popular Instapaper—the adblocker it's okay to like!—is a scraper: a reader views a story in their web browser (along with ads and other web chrome); clicks "Read Later"; Instapaper uses some sorting magic to figure out what part of the already-downloaded HTML is content and which is cruft.

From a licensing and copyright perspective it's a little bit iffy, but since content providers get at least one pageview every time someone uses Instapaper there has been a sort of truce. (One made more steady by the fact that many of those working in the media who might get frustrated by scrapers are also fans of long-form content—exactly the sort of reader to which Instapaper caters.)

http://gizmodo.com/5594176/is-flipboard-legal

If Andrew Brietbart Edited It

• Huckleberry Finn: Affirmative action sends ungrateful black man on river cruise, using lib-approved child labor. (via)
• 2001: An intelligent computer heroically stops wasteful government spending on space exploration. (via)
• Little Rascals: Juvenile delinquency caused by having black friends. Also, where's Buckwheat's birth certificate? (via)
• Aladdin: Swarthy thief flees jail, abducts princess, kills trusted advisor & performs coup d'etat. (via)
• Black men stole the rock and roll sound from Marty McFly!!! (via)
• MLK's famous speech: "I have a dream that my nation will not be judged by character." (via)
• Inglorious Basterds: Deranged Jewish woman murders innocent moviegoers (via)
• The Lord of the Rings: Through grit, working class Hobbits take back 'their' Middle America from colored Orcs (via)

#IfAndrewBrietbartEditedIt

Sickened Ire

By Barry Crimmins

Yesterday I went to a doctor for a preliminary consultation for a colonoscopy. The entire procedure was to be covered by a state agency because I am 57 years old; have no health insurance; and a family history of colon cancer. This was surprising to me because as a preexister, I never expect to get any medical care at all in the United States. In fact I've gotten to the point where I think even hoping for any medical care is dangerous for someone in my condition.

I have had Hepatitis C for almost 35 years. I'm not a junkie and never was. I just knew a junkie who I tried to help by destroying her needles. Needless to state, this was an unwise move. Because I have a disease common among IV drug users, the medical establishment generally treats me like an extra from Panic in Needle Park.

Wait, it gets worse. A few years ago when I ate in the wrong diner in New Jersey (or stayed at the wrong hotel or whatever) I got Hepatitis B. I nearly died. The one doctor who saw me, treated me like I was The Man With the Golden Arm (and leaden wallet.) She informed me that the tests she'd run indicated I had a bonus batch of the illness that was already killing me. Then she showed me to the front desk, where her billing people explained that there was no need for any follow-up visits. This was fine by me since I was too close to death to want to do anything but go home and lie on the couch with my dearest pal ever, the late Lloyd the Dog.

With the help of friends, the faithful companionship of Lloyd, some herbs and vitamins, and dozens of hilarious DVD's (big doff of the skimmer to W.C. Fields), I somehow inched my way back to health. But I've never been the same. My condition is up and down from day to day. So much as a common cold can drop me just down the street from Death's Door. It's tough but I'm alive and I can still write. I sometimes wonder what I would be able to do had I received timely care, monitoring and treatment for my illness. But mostly I just try to move ahead, enjoy life and continue my work.

And who knows, maybe Sesame Street will hire me to do the Hepatitis alphabet on the show. "G" is for "Ghana," don't drink the swamp water there!"

Anyway, back to yesterday. Upon entering the doctor's office, I was handed a zillion forms to fill out. I complied. One of the questions was: 'Have you ever been hospitalized?' Having never spent a single night in a hospital in my life, I checked "No."

I turned in the forms and waited about 40 minutes before I was called to go into an examining room, where a nurse went over my answers with me. When we came to the hospitalization part, I reiterated that I'd never been hospitalized. A minute later I mentioned how I had been to emergency rooms several times to be stitched up, x-rayed and so on. The nurse then turned prosecuting attorney on me, asking in a most accusatory tone, "I thought you said you've never been hospitalized?"

I responded, "That's right, I have never spent a night in the hospital. But I have been to several hospitals for various things, always as an outpatient. They never, as they say, kept me."

Looking as rueful as Miss Havisham on a bad day, she admonished, "Every one of those visits was a hospitalization."

I said, "Are you trying to establish that I'm a liar thereby adding mendacity to the list of reasons why I am not a good candidate for medical care?"  

She ignored this and repeated " So, you have been hospitalized."

"I guess I have, according to this new definition of the term. Thank goodness we caught that!" That was all I said but I was thinking, "If I'd really been trying to scam you on your boundless definition of 'hospitalization', why the hell would I have answered several other questions about my health history that would have made it clear that I had, on many occasions, set foot in a hospital for care, you corporate bureaucrat in drag as a caregiver!"

But I didn't and she lightened up a bit. Within no more than twenty minutes, even I could again speak with an unclenched jaw.

http://barrycrimmins.com/index.php?page=news&display=9105

Curry spices for cows and sheep could cut methane emissions

Burping bovines emit the greenhouse gas methane

By Michael McCarthy

Curry spices could hold the key to reducing the enormous greenhouse gas emissions given off by grazing animals such as sheep, cows and goats, scientists have claimed.

Research carried out at Newcastle University has found that coriander and turmeric – spices traditionally used to flavour curries – can reduce by up to 40 per cent the amount of methane that is produced by bacteria in a sheep's stomach and then emitted into the atmosphere when the animal burps.

Working rather like an anti-biotic, the spices were found to kill the methane-producing "bad" bacteria in the animal's gut while allowing the "good" bacteria to flourish. The findings are part of an ongoing study led by Dr Abdul Shakoor Chaudhry at Newcastle University.

There are around 30m sheep in the UK, each producing around 20 litres of methane a day, emitted by burping. Methane (CH4) is more than 20 times as powerful in terms of causing global warming as the main greenhouse gas, carbon dioxide (CO2). As well as the environmental implications, the sheep itself also loses an estimated 12 per cent of its food energy to methane production, resulting in a lower milk and meat yield.

"Methane is a major contributor to global warming, and the slow digestive system of ruminant animals such as cows and sheep makes them a key producer of the gas," Mr Hasan explained. "What my research found was that certain spices contain properties which make this digestive process more efficient so producing less waste – in this case, methane.

"Spices have long been used safely by humans to kill bacteria and treat a variety of ailments," he added. The study looked at five curry spices – cumin, coriander, clove, turmeric and cinnamon. Each was "ground up" – as if chewed by the sheep – and added to an in-vitro solution mimicking that found in the rumen of the animal. The level of methane released by each was measured against a control.

The most effective was found to be coriander, which reduced methane production from 14 millilitres per gram of food to eight – a drop of 40 per cent. Turmeric produced a 30 per cent reduction and cumin 22 per cent.

http://www.independent.co.uk/environment/green-living/curry-spices-for-cows-and-sheep-could-cut-methane-emissions-2029761.html

WWII poster from the US Department of Agriculture

 

From the US National Agricultural Library